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The latest film from Noel Alejandro is Serodiscordantes.

Serodiscordantes explores the relationship of Evaristo (Cachorro Lozano) and Miguel (Alejandría Quince), focusing in on the moment that Miguel reveals his HIV status to Evaristo.

Evaristo and Miguel in Serodiscordantes
Evaristo (Cachorro Lozano) and Miguel (Alejandría Quince) | Credit: Noel Alejandro

It’s an experience that a lot of gay men will identify with, it’s a conversation that many of us have had to navigate. But it’s not a subject matter that you normally see tackled in an erotic film.

To describe Alejandro’s films as gay porn is under-selling them a bit, but they are undeniably arousing. Alejandro captures sex on camera in an authentic and real way that really connects emotionally with the view.

Once again, Alejandro has delivered a killer combination of great acting, great storytelling, and great sex. You’re going to want to watch Serodiscordantes.

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Ahead of the release of Serodiscordantes, I caught up with Alejandro for a behind-the-scenes look at the film.

What was your inspiration for this story?

Alejandría contacted me at the beginning of 2018 to tell me their story. He and Cachorro are partners in real life, as well as co-stars in this film. Alejandria and Cachorro had been through an uncertain year together of silence and secrets regarding Alejandria’s HIV status.

Evaristo and Miguel in Serodiscordantes
Evaristo (Cachorro Lozano) and Miguel (Alejandría Quince) | Credit: Noel Alejandro

From the very beginning, this felt like a good story to tell, an emotional story to tell. The esoteric elements of the story – such as the pendulum consultation and the Ouija board – emerged during the development of the story.

I see it like two children playing a game for fun, and then a truth is revealed – resulting in a loss of innocence, forcing them to grow up instantly.

The Ouija is the tool that they use to let their internal voices speak. It shows the incredible strength of the subconscious – which screams inside us to get out – but we keep it inside us like a demon.

Have you ever used a Ouija board?

In Spain, we have a strong tradition with esoterics and afterlife stories. I was around 20 years old when I had my first afterlife experience – it was with my cousin.

We used a coin as the marker, and the coin started to move without me or my cousin moving it. It gave us coherent answers to the questions we asked. All of a sudden, all of the stories that I’d heard about this kind of thing finally made sense.

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That experience helped me to understand how human perception and subconscious works.

What was your casting process for this film?

My casting process is often just when the right person contacts me at the right moment.

When Alejandria told me his story, he and Cachorro also offered to appear in the film.

What was your location for the shoot?

It is an altbau – an old building with a high ceiling – next to a busy avenue in Berlin. It wasn’t difficult to find – the owner seemed to like my work.

We mixed natural and daylight for this filming – we filmed in two days.

Does a film like this help to tackle the stigma that still impacts people living with HIV?

It shows a real situation that people with HIV have to face daily – to come out of the closet, again.

Evaristo and Miguel in Serodiscordantes
Evaristo (Cachorro Lozano) and Miguel (Alejandría Quince) | Credit: Noel Alejandro

Portraying these kinds of situations is a way of highlighting the topic, and tackling ignorance and shame.

What do you hope that people feel when they watch Serodiscordantes?

I’m really not sure. Everybody will see the film and understand the story with different readings, depending on their personal life experiences. I simply hope that people like it so that they can keep connected to my films.

Click ‘See gallery’ to see more photos.

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Arts & Erotica

No Ordinary Boy

A collection of shorts that celebrate Boys On Film.

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Between Here and Now
Between Here and Now (2018) | Image supplied

Boys on Film is a continuing collection of short films that explore the gay experience. Volume 19 in the series has now been released, and ‘No Ordinary Boy’ is the theme that connects all featured films.

This volume, featuring ten films, showcases the work of filmmakers from around the world and tackles a diverse range of subjects.

The films featured are:

Michael Joseph Jason John

Michael Joseph Jason John is a romantic thriller that explores one-night stands and the thrill and risks of our hook-up culture.

Written and directed by Scott T. Hinson, the film follows the story of a single man that imagines what life would be like with a mysterious stranger he picks up on the New York City subway.

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Eric Robledo and Scott T. Hinson in Michael Joseph Jason John
Eric Robledo and Scott T. Hinson in Michael Joseph Jason John (2018)

In an interview with Hinson, the director explains that he didn’t set out to make a cautionary tale but doesn’t see it as a bad things if people see it a such.

The director recalls seeing the end scene of Paris is Burning prior to ever having his first one night stand. In the scene, Venus Xtravaganza is found dead under a bed of a seedy motel room. The ultimate case of tricking gone wrong, as Hinson describes it.

“The thought of that has never, ever left me” explaines Hinson. “Going into every anonymous encounter I’ve ever had, a little voice has whispered – You know this dude could jack you up, right?”

Maacher Jhol – The fish curry

The animated short, directed by Abhishek Verma, follows the story of Lalit.

Lalit is a 28-year-old Indian guy who decides to come out to his father. In order to do so, he plans to cook the traditional fish curry Maacher Johl. Being is father’s favourite dish, Lalit hopes that the meal will help him win his father’s acceptance.

“It’s very difficult for someone to hide their identity, their sexuality, and their desires for such a long period of their life…” explained Verma, talking about his inspiration for the film. “Some people have to do it for their entire life.”

Maacher Jhol-The fish curry poster
Maacher Jhol-The fish curry (2017) | Source: IMDb

Blood Out Of A Stone

Written and directed by Ben Allen, the story revolves around two gay men getting back into the dating game.

After each had been single for quite some time, Michael sets Dan a challenge on their first date together. An icebreaker of sorts, that throws Dan out of his comfort zone. Not used to dates requiring such vulnerability, Dan struggles to handle the challenge. East London provides the backdrop to this intimate story of immediate connection.

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“In this film, the character of Dan is based on me and my experiences as a single gay man in my twenties…” explains Allen, talking about his inspiration for the story. “London was such a double-edged sword for me at that time – its vastness and unpredictability were both a blessing and a curse, and I was often finding myself getting my fingers burnt in short-term flings with guys who I would fall for very quickly.”

Blood out of a Stone poster
Blood Out of a Stone (2018) | Source: IMDB

No More We

Directed and written by David Färdmar, this Swedish drama follows the break-up story of Hampus and his fiancé Adrian.

One morning, Hampus tells Adrian that “There’s No More We”. He feels total relief, the weight of their destructive relationship slips off his shoulders. For his fiancé, Adrian, it’s a devastating shock. How can they now help each other navigate the beginning of the end?

A small film about a big subject, where endings can also be beginnings.

In an interview with the director, Färdmar confirmed drawing inspiration from his personal life.

“I can’t deny that one of the characters is more based on ‘me’ and the other one is a mix of my two exes…” confirmed Färdmar. “But, I’ve just tried to create two interesting characters that I want to portray and see on the big screen. It’s fiction, not a documentary. When I look at the film now, I don’t really see myself or my exes on the screen, I just see Adrian and Hampus.”

Jonathan Andersson and Björn Elgerd in No More We
Jonathan Andersson and Björn Elgerd in No More We (2018)

Between Here And Now

Visiting Copenhagen, Tony meets local boy Oscar at a bar. Initially cautious, Tony finds himself drawn to Oscar and their relationship rapidly intensifies. However, things get more complicated when they realise the loneliness forges stronger friendships.

Jannik Splisboel, writer and director of Between Here and Now, describes it as “a story about two men and what could have been a great story”.

In an interview, the director talks about how complex our need for intimacy and physical connection can be. “We’re afraid of showing feelings, and that’s a shame” explains Splisboel.

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“I think we’ve all had encounters where it could have developed into something more, but for different reasons it just didn’t. I wanted to tell a story about two men and what could have been a great love story.”

Run(a)way Arab

This short film directed by Amrou Al-Kadhi follows the story of Nazeem.

The 26-year-old Middle Eastern drag queen, known as Queen Za Dream, is preparing her latest Egyptian themed show.

She recalls memories of her childhood as an 8-year-old boy when a transgressive moment broke the seemingly close bond with her flamboyant Iraqi-Egyptian mother, Halima, who is governed by the strict expectations of gender in Arab society.

Only through his drag can the adult Nazeem keep sacred the memories of his mother before this painful moment.

Amrou Al-Kadhi in Run(a)Way Arab
Amrou Al-Kadhi in Run(a)Way Arab (2018) | Source: IMDb

MEATOO

A naive actor auditions for a film which could launch his career. The things he’s asked to do make him more and more uncomfortable.

Directed by Dean Loxton, the film draws on his personal experiences and recreates an audition that he was subjected to as an actor.

In an interview with the director, Loxton confirms that the film is a “pretty accurate” depiction of what happened to him.

I asked Loxton how true to life is the film’s depiction of what happened.

“It was only a few years later, looking back, that I saw it for what it was – a hotel, only the director, me half-naked.” he recalls. “I was twenty – I felt for the lads in their late-teens waiting to go in. Some had their mum’s with them that I doubt were allowed in the room”.

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Meatoo by Dean Loxton
Meatoo by Dean Loxton (2018)

Dusk

Written and directed by Jake Graff, Dusk portrays 1950s England and the struggles of Chris to fit into the accepted gender roles in an intolerant and uninformed world.

After a tough childhood, he meets dream woman Julie, but is haunted by the growing feeling that theirs is a life half lived.

Endlessly imagining what might have been, Chris is finally struck by the realisation that for some decisions there is no right answer.

Jermaine and Elsie

Written and produced by Ashley Campbell and directed by Leon Lopez, Jermaine and Elsie brings us the story of Elsie – a fiercely independent and opinionated pensioner with a drink problem – and Jermaine – her black and sexually ambiguous carer.

Initially, their relationship is tumultuous but Jermaine is able to win her over with his non-conventional ways.

When Jermaine mysteriously disappears, Elsie becomes determined to find out what happened to him.

Four Quartets

Directed by Marco Alessi, the story revolves around Raf. He’s young, fun and on the pull, but he is struggling to find his place among the crowd. Sometimes it’s that moment when you stop trying that magic really strikes.

Laurie Kynaston and Mary Antony in Four Quartets
Laurie Kynaston and Mary Antony in Four Quartets (2018) | Source: IMDb

Boys on Film is distributed by Peccadillo Pictures

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