Connect with us
Samer Bo (image supplied) Samer Bo (image supplied)

Arts & Culture

Giving a voice to gay Arab men

Samer Bo (image supplied)

Published

on

I caught up with author Samer Bo to talk about writing erotic gay fiction in Egypt.

What led you to start writing erotic gay fiction?

I was forgetting what was happening. I noticed that when someone asked me about what happened to me the previous week, I couldn’t remember the details.

I think forgetting was my defence-mechanism for all the pain and trouble.

So, I started by writing my diaries, which ended to be quite erotic sometimes. Then that moved to erotic fiction.

Where do you draw inspiration from for your stories?

Inspiration comes from my personal experiences and sometimes my friends’ experiences. Other times, I just meet a guy or watch a movie, and it inspires me to write a story.

Who are your target audience?

I write for myself before anyone else. I’d love all gay men to read and get aroused by my stories.

But I guess I do write for minorities — people who don’t usually get represented in media, porn, or erotic stories. I want people to see themselves represented in my novels.

What sort of feedback do you get from your readers?

I get a lot of positive feedback from people in the Middle East who finally find a voice speaking to them. Some see me as a role model — a type of Egyptian guy that they never see in the media.

Do your friends and family know that you write erotic gay fiction?

Only some close friends know. I’m not in touch with my family anyway. Samer is my real name, but I changed my last name to Bo.

Have you had any negative reactions to the gay erotic fiction that you write?

I only tell people about my writing if I know that they’re either gay or gay friendly. So I haven’t had negative reactions in that respect.

However, I have had multiple incidents of homophobia. I was arrested once.

Son of the President isn’t an erotic story, how did that story come to you?

That story is based on the real-life story of an older friend that I met a few years ago. I told him about my erotic stories, and he asked me to write an erotic story inspired by his experiences.

However, I felt that if I wrote it as erotica, it would take away from the essence of the story. So I left it as non-erotic story.

Advertisement

What do you hope that people feel when reading your stories?

First of all, aroused from my erotic stories. Plus, I want people to feel represented.

Gay Arabs are not represented in any kind of media. We’re being suppressed and discriminated against. A lot of gay men in the Middle East feel that being gay is wrong, and that homosexuality is a sin.

This is my small way to help those men feel better about themselves.

What are some of your goals and ambitions for the remainder of 2018?

More stories, maybe some non-erotic ones. I’m also helping a friend of mine to change his non-erotic short story into a play.

Read the novels by Samer Bo

Follow Samer Bo on Twitter

Read more from Gareth Johnson

We want to hear your opinion

Advertisement

Artists

Beach Boys in the Buff

Published

on

Antonio En La Playa by Marc DeBauch (image supplied)
Antonio En La Playa by Marc DeBauch (image supplied)

I caught up with artist Marc DeBauch to look at his series of work titled Beach Boys.

When did you discover and start to explore your passion for art?

I started drawing and painting when I was three years old. Before I was five, I remember creating a crayon drawing of the Sinking of the Titanic on the rough plaster of the living-room wall of my parents’ house. It was impossible to remove — my parents weren’t happy with me, but after that they provided me with enough art materials to pursue my creative interests without destroying their home.

Lonnel on the Beach by Marc DeBauch (image supplied)

When did you start specialising in painting naked men and creating erotic art?

It was 36 years ago when I started painting male nudes and selling them in a local gay book store. Then, in 1995, I entered two paintings in the Tom of Finland Foundation’s Emerging Erotic Artists Contest. I was won first place, which opened the door for my art career, as I was immediately approached by galleries and magazines that wanted to feature my art.

This gave me the confidence and notoriety to exhibit and sell my work at erotic art fairs and gay events. At that time, the internet was just emerging, so my friend Andrew created a website for me, which was a fantastic tool to get my art out to people around the world.

Aussie Boy by Marc DeBauch (image supplied)

You’ve written that Tom of Finland is one of the major influences on your work — when did you first encounter the work of Tom of Finland?

I remember seeing Tom of Finland’s art in a porno magazine my friend had in high school. I was just amazed at the sexual tension, outrageous anatomy, and attention to detail in Tom’s art.

This was back in the early 1970s, so gay porn was just emerging legally in magazines and films. At the time, I wasn’t talented enough to draw the human figure accurately. But, I was fascinated enough to want to try. My sister’s boyfriend was a photographer, and he gave me his dark room equipment — back then you actually had to develop film, as there were no digital cameras.

I talked a friend into posing naked for me while jacking off, and I developed the film and made some prints. I was 14 years old, photographing another 14-year-old boy. It was very exciting creating my own porn! Unfortunately, my dad — being supportive of my art — wanted to see the photos, and of course I couldn’t show him. Not only did he not approve of gays, he didn’t want his son to be gay. He would have probably hit me if he knew I was a homosexual creating gay porn! So, I destroyed the photos almost in front of him, while saying — “The photos didn’t turn out and I would show him better work at another time.”

I was scared and freaked out. I knew I was self-censoring. But I also realised that if I was going to create erotic art that I would have to do it in secret. When Tom of Finland began drawing naked men, he also had to make his art in secret. I think most erotic artists learn to be very careful about choosing the right audience to exhibit their work to.

Trevor on the Beach by Marc DeBauch (image supplied)

Where do you draw your inspiration from?

My inspiration comes from people I know. I’ve been fortunate to see and meet many beautiful men in my life. Capturing their beauty and illustrating them in a unique way, is my goal.

What’s your creative process?

My creative process is different every time I paint. Sometimes an idea for a painting just pops in my head and I try to find model to pose for a photo to match my vision — that’s often the easiest route.

I rarely work from a live model. My paintings take so long to create — I often work all night on a painting — so, finding a model to sit for that long of a period and whenever I want them, is impossible. I use the photos of my models as reference.

Often, I look through hundreds of images and piece things together in a collage. It’s more like a jigsaw puzzle — lots of pieces missing, and my mind fills in those missing pieces with an arm from this model, the chest from another, the dick from another, the face from another, and so on, until I have the entire figure. But then I have to decide how the light and setting will pull all of those puzzle pieces together.

I have dozens of photos that are my references for every detail of plants, animals, rocks, furnishings. I sort through a constant mess of photos — gradually eliminating those references as my brain digests the information and my brush puts it on the canvas or paper.

The paintings that form the Beach Boys series are beautiful — what are some of the challenges in creating beach scenes like this?

Trying to find a balance between the setting and the model is always a challenge. I don’t want the model to overpower the beach, or the beach to feel more important than the model. I want my paintings to have a natural feeling, like you could be at the beach with my models.

Advertisement

Who are the men featured in the paintings of the Beach Boys series?

The men in my Beach Boy series are mostly friends that have modelled for me. Sometimes I find a photograph of a model that someone else has taken, that inspires me to use it as a reference pose to work from, then I find one of the photos of a beach that I’ve visited and I try to recreate a similar pose in a drawing that will eventually become a painting.

What do you hope that people feel when they look at your work?

I don’t want to just give the viewer of my art an erection, I want them to feel like they’re part of the painting, that they want to invite the men in my paintings into their homes, their beds, their dungeon, their car, their locker room, or the bushes for a hot fuck, butt licking, cock sucking, ass spanking good time.

I hope to excite the viewer visually, emotionally as well as spiritually. It’s my goal as an artist and sexually active gay man to paint erotica that continually challenges the views of people who oppose sexual freedom. If my paintings assist the viewer in discovering where they are in the spectrum of human sexuality, then my aim is reaching its target.

Dive into the world of Marc DeBauch

Follow Marc DeBauch on Tumblr

After the Swim by Marc DeBauch (image supplied)

Read more from Gareth Johnson

Continue Reading

Trending